Terence Trouillot speaks to the curator about his trip getting ready for the exhibition and his plans to exhibit artists who span the globe and distinct time intervals

Terence Trouillot : Let’s begin with the title of the exhibition: ‘Is it morning for you yet?’ I understand it’s a common Mayan expression, however I’m curious to hear how you got here to pick out it for the 58th Carnegie International.

Sohrab Mohebbi: The Guatemalan artist Édgar Calel used to be in Pittsburgh for a web page visit.

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While we had been having dinner, Calel stated countless matters that simply caught with me, one of which was once the expression ‘Is it morning for you yet?’, which has a few connotations.

On the most integral level, it reminds us that we don’t all trip the identical component at the equal time. It additionally speaks to our modern-day second in phrases of the COVID-19 pandemic, which has uncovered solely too truely how no longer every person has the identical get right of entry to to healthcare.

Then, in phrases of the Carnegie International, the curatorial crew and I had been questioning a lot about the relationship of non-public time to collective time – how, at sure points, they intersect and, at others,

they don’t – so we determined to go with it as a title partly due to the fact it used to be simply so poetic as an expression however additionally due to the fact it was once this fantastic catchphrase that no longer solely delivered a lot to the relationship between the cutting-edge and historic works in the exhibit however spoke to our cutting-edge moment, as well.

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